BLUE BEARD
The REP, Birmingham, Wednesday 17thApril 2024
Emma Rice is one of theatre’s most distinctive directors, with a style of her own she honed during her years with Kneehigh Theatre and now continues to apply to her work with new company Wise Children. All the hallmarks of an Emma Rice production are here: the live music underscoring the action, the use of archetypes, the humour, the original songs, the stylised physicality…
It’s the famous story of the new bride who can’t resist her blue-bearded husband’s forbidden room, in which she discovers the dismembered corpses of his former spouses. Rice concentrates on the women. We convene with some kind of religious order at the Convent of the Three Fs, where the women wear shapeless dresses, cover their heads with woolly beanies, and sport white-framed sunglasses. Their identities are concealed. They are any woman. They are every woman.
A handsome young lad arrives, asking for help. The women set about him like Bacchae until Mother Superior intervenes. This fierce little woman narrates the main story, encouraging the boy to share his as a subplot. His story is of a big sister and a little brother. After a stilted start, he learns to mimic the Mother Superior’s mythic style of storytelling.
It’s a thoroughly absorbing piece: funny, surprising, horrifying and ultimately moving. The Emma Rice style enables the story to breathe, rather than suffocating it. Form and content are perfectly blended.
As Mother Superior, Katy Owen is a fiercely funny MC before the shows blistering final moments. Adam Mirsky is endearing as the Lost Brother, squabbling with Mirabelle Gremaud as his Lost Sister. Gremaud also appears as Blue Beard’s glamorous assistant, performing a most flexible display!
In the title role, Tristan Sturrock is debonair and flamboyant, commanding and seductive. Blue Beard is an accomplished stage magician and the volunteer he slices in half (Robyn Sinclair’s Lucky) becomes his latest wife/victim. Sinclair, along with Stephanie Hockley as sister Trouble, are a lot of fun, their movements punctuated by jazzy dance moves. Their mother, Treasure, a widow, is played with elegance and humour by Patrycja Kujawska – who also plays a mean violin. The cast augment the musicians when not in a scene, with Hockley’s featured number being a definite highlight in a show bristling with splendid songs.
The play covers a lot of ground: why are women attracted to bad men? And domestic abuse. And, crucially, why can’t women walk home alone? The bad men of our world aren’t debonair and dashing, with blue beards as red flags. They aren’t castled psychopaths amassing corpses. They wear ordinary clothes. They are opportunists and narcissists and they are not marked out by brightly coloured facial hair. They could be anyone.
A great deal of fun, an absorbing piece of storytelling that delivers an emotional body blow and an all-too pertinent message, this is Emma Rice back on form. She makes us fall in love with theatre all over again.
☆ ☆ ☆ ☆ ☆
Mirabelle Gremaud bending over backwards to please Tristan Sturrock. Photo: Steve Tanner