Horribly Hysterical

HORRIBLE HISTORIES: BARMY BRITAIN

The Alexandra Theatre, Birmingham, Wednesday 1^st December, 2021

Terry Deary’s bestselling books have spawned a hit television series, a film or two, and this, the latest in a succession of stage shows based on his work.

A cast of two, namely Jack Ballard and Morgan Philpott, take us on a whistle-stop tour of two thousand years of British history, from the Roman invasion to the Victorian age.  On-stage costumes enable very quick changes, so the pair can play all the parts without stopping the flow of the action.

Ballard and Philpott work very well together, and they work very hard to keep energy levels high and the audience engaged.  There are songs to singalong with, complete with simple actions, but above all there is plenty to laugh at.  The action is augmented by a video backdrop, which becomes 3-D in the second act (glasses are provided) and the dialogue is punctuated throughout by comical sound effects (courtesy of Nick Sagar’s sound design) but it’s the efforts of the seemingly tireless actors that have the most impact.

Highlights include Richard the Lionheart, with an hilarious running joke about roaring after his name is spoken, a scene about the Black Death (which has Pythonesque overtones) and in particular, an extended sequence about Henry VIII and Ann Boleyn.  There are strokes of genius: Elizabeth the First in an episode of Undercover Boss, Guy Fawkes on a Who Wants To Be A Millionaire? Pastiche; and the most horrible story, that of body-snatchers Burke and Hare.  This sequence is presented in the most stylised way, so we get the horrible history without the graphic violence. The Postman Pat theme song will never be the same.  Finally, a rap duet between Queen Victoria and Prince Albert is delightfully irreverent.

The script is packed with information, but the delivery is so entertaining, you’re learning as a side effect.  Neal Foster’s direction keeps the actors busy with comic business, and there are at least as many laugh-out-loud moments as a pantomime.  So, if you’re looking for an alternative Christmas entertainment for the family, you won’t go horribly wrong with this little cracker.

★★★★

Terribly Funny

HORRIBLE HISTORIES: Terrible Tudors

Belgrade Theatre, Coventry, Wednesday 23^rd October, 2019

 

Based on the popular series of children’s non-fiction books by the extremely popular and prolific Terry Deary, this show by the Birmingham Stage Company is playing in tandem with Awful Egyptians, which I imagine is just as much fun.

A cast of three, led by Doctor Dee (played in this performance by director Neal Foster) take us through the reign of the Tudors, from the defeat of Richard III at Bosworth Field through to the succession of James I after the demise of Elizabeth.  Along the way, there are interludes examining other aspects of Tudor society, like the cruel punishments meted out to criminals (some hilarious practical effects here) and the disgusting elements of medical practice.

Foster is a delight, whether its in one of his many characters (including Henry VIII) or when he’s addressing the audience with a good old-fashioned ‘Shut your face!’.  He is supported by a more-than-able pair, Dross (Lisa Allen) and Drab (Izaak Cainer) who take on all the other roles, as well as being enjoyable characters in their own right.

The facts come as thick and as fast as the jokes.  The declamatory style of storytelling is leavened by silly voices and camp gestures, and the action is augmented by cartoony sound effects (thanks to Nick Sagar) and animated projections on the screen that forms the backdrop.  The performance style owes much to Monty Python and pantomime, and the script has a touch of the Carry-Ons, without the bawdiness.  There are plenty of mentions of poo and grisly deaths to keep the kids fascinated, while the adults will find much to enjoy in the execution (heh) of the comic business by these three talented players.

The second half has the added ingredient of 3D effects to make you flinch and gasp, as the Spanish Armada is blown to splinters and blood from the botched execution of Mary Queen of Scots splatters across the screen.  There are catchy songs, including one to help you remember the fates of Henry VIII’s wives, and even Will. I. Am. Shakespeare crops up with a version of I Gotta Feeling.  The anachronisms make the history accessible and keep the laughs coming.

And then, as the reign and life of Elizabeth come to an end, she recaps the dynasty, in a powerful moment from Lisa Allen, bringing depth and gravitas to the piece – but don’t worry, there’s another catchy song to round things off.

Thoroughly enjoyable, informative and hilarious, this Horrible History makes for Terrific Theatre.

Terrible Tudors: Lisa Allen and Izaak Cainer are armed and dangerous (Photo: Mark Douet)

 

Nice and Horrible

HORRIBLE CHRISTMAS

Derby Theatre, Thursday 2^nd January, 2014

 

This year’s Christmas show at Derby Theatre is a refreshing departure from the ubiquitous traditional fare – although there are some elements of panto to it: we get to boo the baddies and cheer the good guys, for example.

Horrible Histories mastermind Terry Deary has written a story that amuses and informs without being didactic or labouring its message.  Young boy Watson (Mark Newnham) sneaks downstairs in the middle of the night to open a couple of presents, only to witness the arrival of evil Sidney Claus, the antithesis to Father Christmas, and his reindeer sidekick Rudolph.  This pair has come to steal the presents rather than deliver any.  Sidney’s master plan is to destroy Christmas forever.

Watson teams up with chirpy detective Shirley Holmes (Sarah Pelosi) and the scene is set for a time-travelling romp that takes us back to Charles Dickens, Oliver Cromwell, Henry VIII and so on, all the way to Bethlehem and King Herod.  On the way we learn about the origins of certain traditions like roast turkey for dinner and Christmas stockings, but these facts are always incidental to the fun.

Andrew Vincent is an enjoyable villain, with Simon Snashall amusingly dim as his side of venison.  The ensemble double up on parts; favourites for me are Elizabeth Rose as Oliver Cromwell’s dour Mrs debunking Christmas carols  (Good ‘King’ Wenceslas was only a Duke, you know) the Puritans’ production number and the marvellously flamboyant, rapping Charles II.

As you’d expect, if you’ve seen the brilliant TV series, there is a lot of silliness, fun with anachronisms, and plenty of wit in the lyrics to the jolly songs.

In fact, my only reservation is it’s not horrible enough.  The emphasis here is on fun and there is even a touching moment of forgiveness and reconciliation.  It’s just that I was expecting a bit more gore and a lot more pooh.