Belgrade Theatre, Coventry, Thursday 13th February, 2020
Robin Hawdon’s thriller from the early 1990s gets a new lease of life in this touring production from the newly-formed Crime and Comedy Theatre Company. Smarmy MP Bill Crayshaw unwisely admits an unknown woman into his swanky London flat, only for her to reveal she is a journalist keen to expose both his dodgy business practices and his involvement in the death of his party agent just the day before. To coerce him to answer, she threatens his collection of valuable knickknacks, even smashing a couple of them to pieces, and pretty soon he’s singing like a canary – but, it soon transpires, it’s to his own tune rather than hers.
After a slow start with lashings of exposition, the first act builds to a violent end with gunshots and one of this cat-and-mouse pair on the floor…
Nigel Fairs is effortlessly arrogant as the duplicitous MP (is there another kind?) while Kate Ashmead exhibits sadistic pleasure as ‘Mary’ toying and flirting with her quarry.
As with plays of this type, there is more to it, with twists and turns, shifts of power and reversals of fortune – necessitating further passages of wordy exposition, yet director Louis Jameson (formerly Leela off of Doctor Who, no less!) wisely never lets proceedings become static. She also handles the big moments effectively, giving us a solid little thriller. It’s not in the same league as Dial M For Murder or Gaslight, but it’s a taut and engaging couple of hours, well played and well presented, delivering everything you expect from this kind of thing. And of course, we know better to believe a single word that comes from the mouth of a Tory MP, and there is a certain pleasure to be had watching Crayshaw squirm and try to plot his way out of trouble.
Ground-breaking it ain’t, but intriguing it certainly is.