Tag Archives: Brooke Kinsella

Circle of Life


New Vic Theatre, Thursday 9th October, 2014

Alan Ayckbourn’s latest is another display of his genius. Rather than one play, this is a collection of five shorts. The running order is chosen at random by audience members in the bar about half an hour before show time. Therefore, every night is different: the order in which you see the plays affects your understanding and appreciation of what goes on. Characters may appear in more than one. Names are mentioned that will resonate in other pieces. It’s a circular jigsaw puzzle of entertainment.

Each play has a different flavour: there is hilarious mistaken identity in The Politician, when an aspiring actress is mistaken for a call girl; heartbreak in The Star; tenderness in The Judge, spookiness in The Novelist; and thrills and tension in The Agent. All of them are rich with Ayckbourn’s observational humour, and each of them has its own twist or surprise.

The ensemble cast is top notch. Nigel Hastings impresses as camp, CSI-obsessed neighbour Ashley in The Agent, and as the odious Politician, channelling Boris Johnson (and yet only managing to be about 10% as abhorrent as the real thing). Russell Dixon’s Tom brings the authority and vulnerability that come with old age. Alexandra Mathie brings restraint and madness to Blanche in her two appearances. Brooke Kinsella gives call girl Lindy sweetness and understated pathos. Krystle Hylton lights up the stage as ball-of-energy teenage wannabe Roz, determined to be The Star but only if she can dispense with such time-wasting things as training and experience. Her reappearance in The Politician shows another side to the brash youngster, as nerves overcome her prior to her ‘audition’. Leigh Symonds comes the heavy as Lance: there is some quite brutal violence in The Agent, the most thrilling of the pieces, and a powerful performance from Sophie Roberts as Gale. Richard Stacey is amiable but ineffectual vicar Russ – his devastation at the hands of an old school girlfriend is very touching and is the most downbeat ending of the five – some evenings the show must end with this piece, leaving the audience with a very different feeling…

As a whole, it’s about human experience in all its colours: love, loss, memory, regret, mistakes, violence, passion, ambition, hypocrisy, lust, fear… Somehow Ayckbourn covers the lot.  Life is a dance in the round.  The characters reveal different aspects of themselves depending on the circles in which they move.

Each piece is a treat from Ayckbourn’s chocolate box. Each centre is not what you expect from the labelling. The whole evening, rather than giving you a bellyache, leaves you with a sense of satisfaction. And a sense of wonder at the kind of mind that can put all this together, while respecting the audience’s intelligence to make the connections and spot the ramifications: what is a throwaway line in one, can have life-changing consequences in another…

Bloody marvellous. I want to go round again.