Grand Theatre, Wolverhampton, Wednesday 26th September, 2018
Birmingham Stage Company is back, following up the success of Gangsta Granny with a second alliterative title from comic actor-turned-children’s-author, David Walliams. Walliams appears to have appointed himself the successor to Roald Dahl and his work bears many similarities to Dahl’s classic novels for children. Chiefly, Walliams doesn’t sugar coat any aspect of his stories, populates the tales with grotesques, and places a wise child at the heart of them. Adaptor-director Neal Foster captures the Walliams spirit superbly well, rendering the action in imaginative, theatrical ways.
This one is a grim (Grimm) melodrama that is positively Victorian in its sensationalism. The titular aunt – Agatha Saxby – is monstrously cruel to her recently orphaned niece. The title deeds of rambling manor Saxby Hall are at stake. Richard James is enormous fun as this squawking villain, stomping around in plus fours and a ginger wig. His sidekick, Wagner, is an imposing owl – and a beautiful piece of puppetry performed by Roberta Bellekom.
Georgina Leonidas instantly gains our sympathy as plucky, long-suffering heroine, 12-year-old Stella, who finds an ally in the form of friendly ghost, Soot (the likeable Ashley Cousins) a chimney sweep’s boy who came to a sticky end on the job. The pair uncover the true extent of Auntie’s abominable activities as they clamber up and over Jacqueline Trousdale’s revolving set pieces. The gothic events are offset by the humorous appearances of dotty retainer, Gibbon, in a hilarious turn by Harry Sutherland.
Jak Poore’s original score adds to the urgency of the action and the melodramatic atmosphere of the whole. It may lack the warmth of Gangsta Granny, but there is plenty here to enjoy as Stella endures tribulation and trials, and Auntie gets her comeuppance in a satisfactory turn of events.
Darkly delicious with a generous helping of toilet humour and gross-out moments, Awful Auntie is awesome entertainment for the whole family.
Georgina Leonidas and Ashley Cousins try to twoc their way out of trouble (Photo: Mark Douet)
Leave a comment | tags: Ashley Cousins, Awful Auntie, Birmingham Stage Company, David Walliams, Gangsta Granny, Georgina Leonidas, Grand Theatre Wolverhampton, Jacqueline Trousdale, Jak Poore, Neal Foster, review, Richard James, Roberta Bellekom | posted in Review, Theatre Review
Belgrade Theatre, Coventry, Tuesday 16th February, 2016
Every Friday night while his parents go ballroom dancing, young Ben (Ashley Cousins) has to stay with his granny. He resents this arrangement, finding the old woman boring and smelling of the cabbage that is ubiquitous in her cuisine. In order to keep the boy on side, Granny (a lonely old woman, neglected by her son and his wife) tells Ben exciting stories of her former life as an international jewel thief. Ben is hooked. He plans the biggest heist of the lot (the theft of the crown jewels) as Granny’s comeback and swan song… but has the old girl been telling the truth?
Adapted from David Walliams’s popular children’s novel, this is a cracker of a show, crammed with things to amuse audience members of all ages. There is some delightful comic playing: Ben’s mum and dad (Laura Girling and Benedict Martin) aren’t quite in the Roald Dahl league of monstrous parents, but they flit around, selfish in their sambas, and tyrannical in their tangos. Alison Fitzjohn supports as a range of characters – her assertive Matron gets a lot of laughs – and Richard James’s Teacher and Policemen are also indicative of the versatility of the players. As Strictly-type personality Flavio, Umar Malik almost steals the show, prancing and posturing around. The cast also change the scenery – Jacqueline Trousdale’s ingenious set opens up and turns around to create a wide range of settings – and they dance their way through the transitions, keeping the mood elevated. Jak Poore’s superlative score combines heist movie suspense with ballroom rhythms and flair – irresistible.
But the show is all about the relationship between a boy and his gran. Ashley Cousins is a likeable narrator, bouncing with boyish energy and Gran (played in this performance by Louise Bailey) is full of surprises as much as flatulence, keeping to the right side of grotesque. Beneath the comedy and the adventure runs an undercurrent of loneliness and an admonition to us all to get to know the elderly before it’s too late.
Director and adaptor Neil Foster delivers high quality entertainment for all the family, balancing Walliams’s toilet humour and heart perfectly. Gangsta Granny is a funny, touching and salutary story, performed here with exuberance, great warmth and panache.
Leave a comment | tags: Alison Fitzjohn, Ashley Cousins, Belgrade Theatre Coventry, Benedict Martin, David Walliams, Gangsta Granny, Jacqueline Trousdale, Jak Poore, Laura Girling, Louise Bailey, Neal Foster, review, Richard James, u, Umar Malik | posted in Theatre Review