New Alexandra Theatre, Birmingham, Tuesday 7th November, 2017
Ira Levin’s classic thriller is doing the rounds in this effective new production, featuring two escapees from Albert Square, namely Paul Bradley and Jessie Wallace as husband and wife. He is a playwright who hasn’t had a hit for a few years; she is the supportive wife with a weak constitution, who has been funding their life together in their smart little barn conversion in the woods… Along comes bright young thing Sam Phillips with an idea for a new play, and the scene is set for double-crosses, shocks and surprises.
Levin’s script is clever, laced with sarcastic wit and tell-tale details – if you know what to look for. I’ve seen the play before so I knew all its secrets going in but director Adam Penford manages the twists and turns, changes of pace, the violence and the laughs with skill, providing a few jump scares along the way.
Paul Bradley dominates as the desperate and overbearing Sidney, while Jessie Wallace, unusually dowdy in her frumpy beige cardigan and not a hint of leopard print for miles, gives a restrained performance as Myra with the dodgy ticker. Sam Phillips’s Clifford brings energy and good looks, and there is a wild comic cameo from Beverley Klein as visiting Swedish psychic, Helga ten Dorp. Julien Ball completes the quintet as Sidney’s smooth attorney, Porter Milgrim.
Morgan Large’s attractive, rustic set bedecked with a range of vicious weapons gives the action its arena but at times Ben and Max Ringham’s music is a little heavy-handed. Moments of violence are underscored for added atmosphere, heightening the emotion but lessening its realism.
It’s a play that deconstructs itself as it plays out. The characters discuss the elements of a stage thriller before and after we see them enacted within the plot, and it is this knowingness that makes Levin’s piece a classic of the genre. A similar approach was adopted much later by horror film Scream. But like all thrillers, it’s about not-particularly-nice people doing despicable things for (usually) financial gain. Unusually, there is no detective to wheedle out the truth – a different comeuppance awaits these plotters…
This is a solid production, well played and engaging. A darkly delicious way to spend an evening.
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