THE MARRIAGE OF FIGARO
Birmingham Hippodrome, Thursday 8th March, 2012
Welsh National Opera give Mozart’s most farcical opera an Upstairs Downstairs touch. The elegance of the 1930s fits like a tailored dinner jacket. Wealth is suggested – designer Paco Azorin limits the set to walls and doors and very little furniture, giving the cast room to move in this fast-paced comedy. They have room to perform their big reactions and dashing around and crawling across the floor – (how unlike the Beatrice And Benedict from the night before, where the stage is so crowded, the action – such as it is – is swamped).
David Soar is rich-voiced servant Figaro although his wiles are upstaged by his wilier bride-to-be Susanna (a delightful Elizabeth Watts). Also excelling in comic playing is Rebecca Evans as the Contessa, contrasting the broad reactions necessitated by the twists and turns of the plot with heart-breaking tenderness in her beautiful arias. Striding around as if he owns the place, which of course he does, Dario Solari’s philandering Count Almaviva is a complete and utter Conte but a totally enjoyable one nevertheless. Cream of the crop for me was Jurgita Adamonyte as randy page boy Cherubino, looking like Justin Bieber in plus fours.
The score is riddled with beauty and humour in equal measure. The libretto is very funny, retaining albeit in translation, many of the best lines from the Beaumarchais play but, such is the genius of Mozart, there is much to amuse in the actual music. The singers do their utmost to bring out this humour and three hours fly by in their delightful presence.
Director Lluis Pasqual makes the most of the potential for physical comedy, keeping a balance between the machinations of the plot and bringing out the humanity of the characters. Yet again the WNO proves it is a world class opera company with this accessible, hugely entertaining and touching production. It was heartening to see such a diverse audience, packed into the Hippodrome, all enrapt and united by their enjoyment and appreciation.
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